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Abstract
The focus of this research is to reveal the inheritance of the tradition of performing seni dendang Serawai in Bengkulu. The performance of the seni dendang Serawai is a traditional performance that is shown during the bimbang adat ceremony (traditional wedding ceremony) performed by the cultural studio in the Serawai ethnic community. The research method used is qualitative research using direct observation data collection techniques and direct interviews with the head of the cultural center. The data collected is processed based on the concept of transmission. The results of the research found that the unsi Harapan Bersama in Seluma Regency was still trying to maintain and pass on the seni dendang of the Serawai people. The inheritance of the performing seni dendang is carried out openly through a process. The inheritance process that is carried out is carried out by the dendang players in an active and passive way. The performances of seni dendang are passed down from generation to generation.
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References
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- Dihamri, H. dan Abditama Srifitriani. (2018). Pembangunan Karakter Bangsa Generasi Melenial Berbasis Kearifan Lokal Suku Serawai. Jurnal Georafflesia Vol : 3, No : 2, Desember. 89-100 http://journals.unihaz.ac.id/index.php/georafflesia/ article/view /596
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- Nauli, M. (2019). Seni Dendang Khas Pinoraya. https://www.kompasiana.com/musri-nauli/ 54f3da4f7455137b2b6c81fd/seni-dendang-khas-pinoraya?page=all Diunduh tanggal 15 Februari 2019 pukul 11.36 WIB
- Pili, S. B. (2018). Dialektika Tradisi Seni Bedendang di Kota Bengkulu. Jurnal Tsaqofah & Tarikh Vol. 3 No. 2 Juli-Desember. 101-110
- http://ejournal.iainbengkulu.ac.id/index.php/twt/article/view/1557
- Pudentia. (2007). Hakikat Kelisanan dalam Tradisi Melayu Mak Yong. Depok: FIB UI
- Ramey, Peter A. 2007. Studies in Oral Tradition: History and Prospects for the Future. Thesis. Columbia: University of Missouri
- Vansina, J.. (1973). Oral Tradition. Australia: Penguin University
References
Creswell, John W. (2009). Research Design: Qualitative, Quantitative and Mixed Methods Approaches. London: Sage Publications.
Dihamri, H. dan Abditama Srifitriani. (2018). Pembangunan Karakter Bangsa Generasi Melenial Berbasis Kearifan Lokal Suku Serawai. Jurnal Georafflesia Vol : 3, No : 2, Desember. 89-100 http://journals.unihaz.ac.id/index.php/georafflesia/ article/view /596
Finnegan, R.. (1992). Oral Traditions and the Verbal art: A Guide to Research Practices. New York: Routledge
Groenendael, Victoria M. Clara van. (1985). Dalang di Balik Wayang. Jakarta: Grafiti Pers.
Hutomo, Suripan Sadi. (1991). Mutiara yang Terlupakan Pengantar Studi Sastra Lisan. Surabaya: Hiski Jawa Timur
Lord, A. B. (1981). The Singer of Tales. London: Harvard University Press
Nauli, M. (2019). Seni Dendang Khas Pinoraya. https://www.kompasiana.com/musri-nauli/ 54f3da4f7455137b2b6c81fd/seni-dendang-khas-pinoraya?page=all Diunduh tanggal 15 Februari 2019 pukul 11.36 WIB
Pili, S. B. (2018). Dialektika Tradisi Seni Bedendang di Kota Bengkulu. Jurnal Tsaqofah & Tarikh Vol. 3 No. 2 Juli-Desember. 101-110
http://ejournal.iainbengkulu.ac.id/index.php/twt/article/view/1557
Pudentia. (2007). Hakikat Kelisanan dalam Tradisi Melayu Mak Yong. Depok: FIB UI
Ramey, Peter A. 2007. Studies in Oral Tradition: History and Prospects for the Future. Thesis. Columbia: University of Missouri
Vansina, J.. (1973). Oral Tradition. Australia: Penguin University