Article Sidebar

Submitted
November 5, 2024
Accepted
April 24, 2025
Published
April 30, 2025
Download
PDF (Bahasa Indonesia)
Statistic
Read Counter : 5 Download : 0

Main Article Content

Abstract

The purpose of this research is to examine the narrative style of Leila S. Chudori in the novel Laut Bercerita. The research employs a qualitative method with a stylistic approach. Data collection techniques used include literature review. The data analysis technique in this study involves: (1) collecting references that can serve as a basis for the research; (2) reading and understanding the novel Laut Bercerita by Leila S. Chudori, as well as creating a synopsis of the novel; (3) gathering data related to the narrative style of Leila S. Chudori in her work; (4) categorizing the data that pertains to the narrative style; (5) identifying the collected data and analyzing the narrative style of Leila S. Chudori in her work; and (6) drawing conclusions. The research findings indicate that the narrative style in the novel Laut Bercerita by Leila S. Chudori is characterized by the use of the first-person point of view with two main characters from different generations. The author employs various language styles such as personification, sarcasm, hyperbole, simile, and metaphor for comparison and satire. Character portrayal is carried out through analytical and dramatic techniques. The setting of the novel includes (a) place; (b) time; (c) atmosphere. From this, it is evident that Leila S. Chudori's narrative style in Laut Bercerita combines history and fiction with distinctive features of a bold narrative style that includes humor, sarcasm, vulgar (frontal) language, presents the realities of the time, and tends to be critical of the government, serving as a social and political critique.

Keywords

Gaya Penceritaan Laut Bercerita Novel Stilistika Storytelling Style The Sea Speaks Novel Stylistics

Article Details

License

Copyright (c) 2025 Ecandra Julianto, Fina Hiasa, Yayah Chanafiah

Creative Commons License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Authors who publish with this journal agree with the following terms:

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
  4. This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Author Biographies

Ecandra Julianto, Universitas Bengkulu

Mahasiswa Universitas Bengkulu

Fina Hiasa, Universitas Bengkulu

Dosen Universitas Bengkulu

Yayah Chanafiah, Universitas Bengkulu

Dosen Universitas Bengkulu

How to Cite
Julianto, E., Hiasa, F., & Chanafiah, Y. (2025). Gaya Penceritaan Leila S. Chudori dalam Novel Laut Bercerita. Jurnal Ilmiah KORPUS, 9(1), 149–162. https://doi.org/10.33369/jik.v9i1.38021
Download Citation
Endnote/Zotero/Mendeley (RIS)
BibTeX

References

  1. Aldila, N., Chairil, E., & Priyadi, T. A. (2012). Analisis Gaya Bahasa dalam Novel Menjadi Tua dan Tersisih Karya Vanny Crisma W. Jurnal Pendidikan dan Pembelajaran Khatulistiwa, 3(2), 1–12. https://ejournal.unibba.ac.id/index.php/metamorfosis/article/download/125/127/468
  2. Andriyani, M., Harun, M., Idham, M. (2023). Analisis Gaya Bahasa Perbandingan dalam Novel Bidadari Berbisik Karya Asma Nadia. 4(2), 177–187.
  3. Budianta, M. (2008). Membaca Sastra: Pengantar Memahami Sastra untuk Perguruan Tinggi (A. IKAPI (ed.)). Yogyakarta; Indonesia Tera.
  4. Chudori, L. S. (2017). Laut Bercerita (31st ed.). PT Gramedia Pustaka Utama.
  5. E. Kosasih. (2008). Apresiasi Sastra Indonesia :Puisi,Prosa, Drama (P. R. Y. dan Nurhasanah (ed.)). Nobel Edumedia.
  6. Endraswara, S. (2013). Metodologi Penelitian Sastra. CAPS (Center for Academic Publishing Service).
  7. Esten, M. (2013). Kesusastraan Pengantar Teori dan Sejarah. CV Angkasa (Revisi). CV Angkasa. https://scholar.google.co.id
  8. Haliza, S. N. (2023). Analisis Penggunaan Gaya Bahasa dalam Novel Laut Bercerita Karya Leila S. Chudori. 1(3). https://doi.org/https://doi.org/10.51903/bersatu.v1i3.244
  9. Minderop, A. (2005). Metode Karakteristik Telaah Fiksi (Pertama). Yayasan Obor Indonesia. https://doi.org/979-461-557-9
  10. Munir, S., Haryati, N., & Mulyono, S. (2013). Diksi Dan Majas Dalam Kumpulan Puisi Nyanyian Dalam Kelam Karya Sutikno W.S: Kajian Stilistika. Jurnal Sastra Indonesia, 3(1), 1–10. https://journal.unnes.ac.id/sju/index.php/jsi/article/view/2437/2238
  11. Nurgiyantoro, B. (2010). Teori Pengkajian Fiksi (10th ed.). Gadjah Mada University Press.
  12. Nurgiyantoro, B. (2019). Stilistika (Ketiga). Gadjah Mada University Press.
  13. Pradopo, R. D. (2010). Pengkajian Puisi. Gadjah Mada University Press.
  14. Rahmanto, B. (1998). Metode pengajaran sastra. Kanisius.
  15. Rahmayanti, W., & Arifin, E. Z. (2020). Analisis Gaya Bahasa dan Nilai Pendidikan dalam Novel Pulang Karya Tere Liye. Diskursus: Jurnal Pendidikan Bahasa Indonesia, 3(01), 77. https://doi.org/10.30998/diskursus.v3i01.6686
  16. Ramadhayanti, L., Canrhas, A., & Agustina, E. (2021). Gaya Penceritaan Andrea Hirata Dalam Novel Ayah. 5(1), 52–58. https://doi.org/https://doi.org/10.33369/jik.12860 GAYA
  17. Ratna, N. K. (2016). Stilistika Kajian Puitika Bahasa, Sastra, dan Budaya (3rd ed.). Pustaka Belajar.
  18. Renita, P., Amrizal, & Chanafiah, Y. (2020). Kajian Perwatakan Tokoh-Tokoh Novel ”Laut Bercerita” Karya Leila S. Chudori. Wacana: Jurnal Penelitian Bahasa, Sastra Dan Pengajaran, 18(2), 160–167. https://doi.org/10.33369/jwacana.v18i2.14870
  19. Saraswati, K. A. (2019). Teknik Penggambaran Penokohan Mizoguchi Dalam Novel Kinkakuji Karya Yukio Mishima. Janaru Saja : Jurnal Program Studi Sastra Jepang, 8(1), 8–12. https://doi.org/10.34010/js.v8i1.1739
  20. Sari, S. K. (2021). Gaya Bahasa Dalam Novel Di Sekolah Menengah Atas. 357–372.
  21. Sayuti, S. A. (2017). Berkenalan Dengan Prosa Fiksi (Pertama). Cantrik Pustaka.
  22. Shella, I. H. dan A. (2020). Teknik Pelukisan Tokoh Dalam Novel Bulan Kertas Karya Arafat Nur. Jurnal Metamorfosa, 8, 3264–3268. https://doi.org/10.1093/oseo/instance.00208803
  23. Suarta, I. M. (2022). Pengantar Bahasa dan Sastra Indonesia: Sejarah dan Perkembangannya. Pustaka Larasan.
  24. Sudjiman, P. (1993). Bunga Rampai Stilistika (E. Endarmoko (ed.)). Pustaka Utama Grafiti.
  25. Sugiyono. (2022). Metode Penelitian Kuantitatif, Kualitatif, Dan R&A (27th ed.). Penerbit Alfabeta.
  26. Sumardjo, J. & Saini K.M. (1986). Apresiasi Kesusastraan. Gramedia Pustaka Utama.
  27. Syarif, F. (2023). Dampak Perlawanan Kaum Intelektual Pada Pemerintahan Orde Baru dalam Novel Laut Bercerita Karya Leila S. Chudori: Tinjauan Sosiologi Sastra. Journal of Engineering Research, 65.
  28. Tarigan, H. G. (2021). Pengajaran Gaya Bahasa (Revisi). CV Angkasa.
  29. Tirtawirya, P. A. (1987). Antologi Esai dan Kritik Sastra (Cetakan 2). Nusa Indah.
  30. Wahyuni, R. (2018). Gaya Bercerita Dewi Lestari dalam Tetralogi Supernova. 12(1), 25–36.