Article Sidebar

Download
PDF (Bahasa Indonesia)
Statistic
Read Counter : 844 Download : 1882

Downloads

Download data is not yet available.

Main Article Content

Abstract

This research discusses the phenomenon of the Korean Wave and fanaticism communities (fandom) in social media to bring the influence and impact of the Korean Wave phenomenon in Indonesia. This research aimed (1) to describe how the Korean Wave phenomenon can create fanatical fandom in social media; (2) to outline the forms and patterns of fanatical fandom towards K-Pop; (3) to identify the factors that influence the behavior and the consequences of such fanatical behavior. The research method used was descriptive with a qualitative approach. The subjects of this study were K-Pop fans, both those associated with the fandom and those who are not. The participants were gathered using the snowball technique, while data collection used observation, interviews, and documentation. The results showed that introducing foreign cultures, including the Korean Wave phenomenon, can lead to fanatical behavior among fans. This behavior is characterized by intentionally building emotional bonds to strengthen the connection between fans and idols. In addition, the shared identity as fans creates a strong solidarity among themselves. Excessive solidarity can indirectly lead to negative energy that harms others and can lead to conflicts. Furthermore, social media, marketing strategies, and the attractiveness of K-Pop idols also shape fanatical behavior.

Keywords

Fanatisme Fandom Korean Wave Media Sosial Fanaticism Fandom Korean Wave Social Media

Article Details

License
Creative Commons License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

The Copyright noticeof the Jurnal Sosiologi Nusantara (JSN) is as follows :

The author who submits the manuscript must understand and agree that the copyrights published are held by Jurnal Sosiologi Nusantara. Copyright includes rights to reproduce, distribute and sell every part of journal articles in all forms and media. This is for download the copyright transfer form for signed by the corresponding author. All articles published Open Access will be immediately and permanently free for everyone to read and download. We are continuously working with our author communities to select the best choice of license options, currently being defined for this journal as follows:

• Creative Commons Attribution-ShareAlike (CC BY-SA)

Creative Commons License

Jurnal  Sosiologi Nusantara is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.


Then, you are free to:

  • Share — copy and redistribute the material in any medium or format
  • Adapt — remix, transform, and build upon the material

for any purpose, even commercially. The licensor cannot revoke these freedoms as long as you follow the license terms.

How to Cite
Maharani, C., Viza Juliansyah, & Desca Thea Purnama. (2024). The Phenomenon Korean Wave and Fanaticism Of Fans In Social Media: A Study Of K-Pop Fandom Groups In Pontianak City: Fenomena Korean Wave dan Fanatisme Penggemar Dalam Bermedia Sosial : Studi Kelompok Fandom di Kota Pontianak. Jurnal Sosiologi Nusantara, 10(1), 18–42. https://doi.org/10.33369/jsn.10.1.18-42
Download Citation
Endnote/Zotero/Mendeley (RIS)
BibTeX

References

  1. Abd-Rahim, Atiqah. 2019. “Online Fandom: Social Identity and Social Hierarchy of Hallyu Fans.” Journal for Undergraduate Ethnography 9(1):65–81. https://doi.org/10.15273/jue.v9i1.8885
  2. Abrams, Dominic Ed, and Michael A. Hogg. 1990. Social Identity Theory: Constructive and Critical Advances. Springer-Verlag Publishing.
  3. Andina, Anisa Nur. 2019. “Hedonisme Berbalut Cinta Dalam Musik K-Pop.” Syntax 1(8):39–49. https://doi.org/10.36418/syntax-idea.v1i8.100
  4. Anggito, Albi, and Johan Setiawan. 2018. Metodologi Penelitian Kualitatif. CV Jejak (Jejak Publisher).
  5. Ardhiza, Anabella Rieska, Wahyu Eko Setianingsih, and Ahmad Izzudin. 2023. “PENGARUH DESIGN PRODUCT, PERSONAL BRANDING, DISTRIBUTION, DAN DIGITAL MARKETING TERHADAP KEPUTUSAN PEMBELIAN ALBUM K-POP (Studi Kasus Pembeli Pada Weverse Shop).” Growth 21(1):99–105. https://doi.org/10.36841/growth-journal.v21i1.2811
  6. Baudrillard, Jean. 2020. “The Finest Consumer Object: The Body.” Pp. 277–82 in The Body. Routledge. https://doi.org/10.4324/9781003060338-46
  7. Bok-Rae, Kim. 2015. “Past, Present and Future of Hallyu (Korean Wave).” American International Journal of Contemporary Research 5(5):154–60.
  8. Cassam, Quassim. 2022. “Fanaticism: For and Against.” The Philosophy of Fanaticism: Epistemic, Affective, and Political Dimensions 2.
  9. https://doi.org/10.4324/9781003119371-3
  10. CNN Indonesia. 2020. “Drama Korea, Hiburan Favorit Kala Pandemi Melanda.” Cnnindonesia.Com.
  11. Correa, Denzil, Leandro Silva, Mainack Mondal, Fabrício Benevenuto, and Krishna Gummadi. 2015. “The Many Shades of Anonymity: Characterizing Anonymous Social Media Content.” Pp. 71–80 in Proceedings of the International AAAI Conference on Web and Social Media. Vol. 9.
  12. https://doi.org/10.1609/icwsm.v9i1.14635
  13. Deafifa, Amei Silvia Dwi Rahma, and Rakhmaditya Dewi Noorrizki. 2022. “Fenomena Agresi Verbal Fans K-Pop Indonesia Di Media Sosial.” Flourishing Journal 2(5):348–54. https://doi.org/10.17977/um070v2i52022p348-354
  14. Dewi, Dyah Tristiya, Kimberly Batsheva Lasut, Santa Teresia Manungkalit, and Maharani Bening Khatulistiwa. 2022. “Participatory Fandom Harries Indonesia Pada Penulisan Fanfiction Di Wattpad.” Jurnal Komunikasi Global 11(1):21–42. https://doi.org/10.24815/jkg.v11i1.24038
  15. Fitria, Kusnul. 2022. “Cyberspace Sebagai Area Perang Antara Fans Versus Haters K-Pop Di Instagram.” Jurnal Kopis: Kajian Penelitian Dan Pemikiran Komunikasi Penyiaran Islam 4(02). https://doi.org/10.33367/kpi.v4i2.1945
  16. Górska, Paulina, Anna Stefaniak, Katarzyna Malinowska, Katarzyna Lipowska, Marta Marchlewska, Magdalena Budziszewska, and Oliwia Maciantowicz. 2020. “Too Great to Act in Solidarity: The Negative Relationship between Collective Narcissism and Solidarity‐based Collective Action.” European Journal of Social Psychology 50(3):561–78. https://doi.org/10.1002/ejsp.2638
  17. Jayanti, I. Gusti Ngurah, I. Komang Arba Wirawan, Nyoman Lia Susanthi, and Ni Wayan Masyuni Sujayanthi. 2022. “Korean Pop (K-Pop) Culture Phenomenon On The Behavior Of Indonesian Society.” Journal of Art, Film, Television, Animation, Games and Technology 1(1):44–50.
  18. https://journal-prosfisi.or.id/index.php/framing/article/view/12
  19. Jenol, Nur Ayuni Mohd, and Nur Hafeeza Ahmad Pazil. 2020. “Escapism and Motivation: Understanding K-Pop Fans Well-Being and Identity.” Geografia 16(4). https://journal-prosfisi.or.id/index.php/framing/article/view/12
  20. KBS World Indonesian. 2020. “Penggemar ‘Hallyu’ Akan Capai 100 Juta Orang Di Seluruh Dunia.” World.Kbs.Co.Kr.
  21. Kim, Suweon. 2023. “Almost South–South Solidarity: The Frustration of K-Pop Fans (but Not True Fans) in South Africa.” International Journal of Cultural Studies. https://doi.org/10.1177/13678779231181412
  22. Miles, Huberman, and A. Michael Huberman. 2020. “Saldana.(2014). Qualitative Data Analysis: A Methods Sourcebook.” New York: Sage Publications, Inc.
  23. Moleong, Lexy J. 2019. “Metodologi Penelitian Kualitatif. Kemendikbud Dan Mohammad Tohir,―Empat Pokok Kebijakan Merdeka Belajar.” Preprint (Open Science Framework) 15.
  24. Mustafa, Nadya, and Dina Patrisia. 2022. “Brand Love Influence on Brand Equity in Kpop Industry Using Brand Engagement as a Mediating Variable.” Marketing Management Studies 2(4):369–77. https://doi.org/10.24036/mms.v2i4.297
  25. Nursalam, Nursalam, Irvan Mustafa, Abd Rahim, and Asri Ismail. 2022. “Konstruksi Penciptaan Fantasi Dan Wacana Pada K-Pop Black Pink.” Aksara 34(2):228–43. https://doi.org/10.29255/aksara.v34i2.621.228--243
  26. Prasetyo, Banu, and Umi Trisyanti. 2018. “Revolusi Industri 4.0 Dan Tantangan Perubahan Sosial.” IPTEK Journal of Proceedings Series (5):22–27. http://dx.doi.org/10.12962/j23546026.y2018i5.4417
  27. Purba, Ririn, and Nuzul Solekhah. 2019. “Kesetiakawanan Fans K-Pop Di Era Digital.” Media Informasi Penelitian Kesejahteraan Sosial 43(2):187–94.
  28. Putri, Maharani, and Sofia Trisni. 2021. “Corporate Diplomacy: Peran SM Entertainment Melalui New Culture Technology Dalam Diplomasi Publik Korea Selatan.” Padjadjaran Journal of International Relations 3(1):56–71. https://doi.org/10.24198/padjir.v3i1.29391
  29. Sahara, Narulita, Rosleny Marliani, and Elisa Kurniadewi. 2022. “Gambaran Konflik Antar Kelompok Penggemar Korean Pop Di Media Sosial.” Psyche: Jurnal Psikologi 4(1):31–46. https://doi.org/10.36269/psyche.v4i1.488
  30. Setiadi, Efan. 2015. “Pengaruh Globalisasi Dalam Hubungan Internasional.” Jurnal International & Diplomacy Universitas Satya Negara Indonesia 1(1):11–23. http://jurnalhiusni.org/index.php/idu/article/view/89
  31. Sugiyono, Sugiyono, and Puji Lestari. 2021. “Metode Penelitian Komunikasi (Kuantitatif, Kualitatif, Dan Cara Mudah Menulis Artikel Pada Jurnal Internasional).”
  32. Valentina, Annisa, and Ratna Istriyani. 2013. “Gelombang Globalisasi Ala Korea Selatan.” Jurnal Pemikiran Sosiologi 2(2). https://doi.org/10.22146/jps.v2i2.30017
  33. Zahra, Sofhie Nissaul, and Gati Dwi Yuliana. 2022. “The Hiperrealitas K-Popers Terhadap Original Character Role Player (OCRP) Fanfiction Di Twitter.” Jurnal Publish (Basic and Applied Research Publication on Communications) 1(2):124–40. https://doi.org/10.35814/publish.v1i2.4218